I Want To Read The Best Writing About Beyoncรฉ
๐บ๐พ๐ฎ๐ผ๐ฝ๐ฒ๐ธ๐ท ๐ฏ๐ธ๐ป ๐ฝ๐ฑ๐ฎ ๐ฌ๐พ๐ต๐ฝ๐พ๐ป๐ฎ ๐ฌ
Like Lady Gaga investigating the insurrection, I will be going to DC this month! You can hear Peyton and I talking at the National Museum of Women in the Arts. Plus: watch Mississippi Masala with me at Nitehawk on 2/25!

Iโm still thinking about Beyoncรฉโs Album of the Year win at the Grammys on Sunday night. I think my brain short-circuited, all the sense left my body, and I actually hollered. I donโt know if I can explain how it felt to choreograph dances to โSurvivorโ in my bedroom at my dadโs house in 2001, or to get โDangerously in Loveโ for my birthday in 2003 and listen to it in the car with my mom (who told me there were some songs I had to skip โ ignoring that was my first act of disobedience), or to ask for an iTunes gift card so I could listen to โBโDayโ at the family computer in the kitchen in the fall of 2006. To stay up all night to watch the Beychella weekend one livestream! To have steam coming out of my ears I was so mad at the โFreakum Dressโ tease on night one of the Renaissance World Tour!1
Tonight I want to read the best, smartest, most evocative writing about Beyoncรฉ. Reviews, essays, criticism, praise, even a meme or a TikTok or a YouTube comment.2
I still think regularly about this Rachel Kaadzi Ghansahn essay about the BeyHive, written just after the release of self-titled. That piece of writing is early on how confusing Beyoncรฉ can be, how her talent is thrillingly alive if her politics are vexingly absent, or mobile. โWomen like her, Tina Turner and Josephine Baker show us the necessity of constantly remastering how you are seen by others, how you are understood, and, in the choreography of that dance of dominance and submission,โ she wrote, โthey show us that the performance of a lifetime is one that you must do in the world, in practice and not just in theory, with all eyes on you.โ
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